Where have you been you old goat?

First off, I have been remiss in keeping up with this here blog thing so I humbly beg your forgiveness. There has been lots going on in JC world and while some is exciting a lot is boring but the kind of boring that nicely pays the bills. The problem with being a working photographer is that you are in fact working. As in the kind that wears out shoes.

 

Second there are some big things brewing in JC land; some of which I’m not yet willing to divulge because as silly as it seems I don’t want to jinx it. But I will say that I am writing a grant proposal that could very well change the course of my career and the knowledge that I’m the only one applying for said grant makes me pretty giddy. I should have the ability to talk about that project in a few weeks and when it comes through I may not need to blog about it because I will be shrieking like a little girl and everyone will know far and wide. (Wow that was overly dramatic huh?)

 

So I’m currently having a cuppa-joe before heading out on a quick assignment for a regular client of mine and then once that is transmitted I’m packing my bags to head to Utah for a few days.

 

Utah? Yep.  I like Utah. It’s like another world and no that’s not a poke at the Mormons, they are nice people, I’m talking about the freakishly beautiful landscape. I fell in love with Utah when I was in high school because as I’ve said I kinda wanted to be a landscape photographer. Thus my father and I would roam about the 4 Corners district a lot on summer vacations. I would pretend that my Minolta 35mm SLR was the worlds smallest view camera. Seriously! If you take the time to squeek every bit of sharpness possible out of small format cameras it’s impressive what you can get out of them. That’s when I developed, no pun there, my love of using tripods and remote releases. That’s the only way to get usable big-ish prints out of the little bits of film which resides in 35mm cameras.

 

Side note, I’ve been using my tripod again for portraits because I can set up my composition to be exactly what I want and use the remote to trigger everything. Thus I can have both hands and eyes to engage my subject to elicit the mood or expression that I want from them. It doesn’t work for every assignment but I never leave home without a tripod. Ever.

 

Where was I? Oh yes Utah! (Thanks!) So I’m going to the Moab area to shoot a gathering of Jeep enthusiasts for a few days. Why? Because I can. I don’t often do “personal work” that requires travel simply because 75% of my work gives me less than 48 hours notice. Thus it’s the total suck to be 700 miles away from your home base only to find that you missed out on a nice assignment because you can’t get a quick and cheap enough flight back to make the assignment worth while. But in this case it’s a holiday weekend, not much is going down that I have to worry about, and I can drive home in about 6 hours. Huh, what’s that in the back? Yes you in the fedora … oh good question, why the heck am I going? Well to have an excuse to hve some fun and maybe even make some photos.

 

Ya see, a buddy of mine who lives near D.C. was the one who told me about the gathering and being the nosey photographer that I am I invited muh-self to come along. I mean come on! Dudes and dudettes in the glory of southern Utah camping in the spring with Jeeps!

 

Will post pix upon my return.

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